History has been a long journey marked by numerous fluctuations, evidenced through time. People often say, “The imprint is preserved by time.” It is an endless flow with no conclusion, and each moment passed is known to linger in emotions. In this context, the Indochina region has maintained a certain image over time. The most distinctive mark embodying the essence of Indochina architecture is a nearly perfectly preserved blend of Sino-French architectural style. Drawing inspiration from ancient Eastern architecture, the works of architect Ernest Hébrard, one of the pioneers who established and strongly developed this style at that time, exude both traditional and grand characteristics. The photographs captured by Pierre Dieulefils can be considered a miniature museum of Vietnam from over a century ago.
The beautiful and majestic Indochina (Indo-chine Pittoresque Monumentale) by French photographer Pierre Marie Alexis Dieulefils (1862-1937) captures various scenes – from Ban Gioc Waterfall on the Cao Bang border to Hoan Kiem Lake on an autumn day. From Nam Quan Pass to Notre-Dame Cathedral, Vung Tau, Tay Ninh… From Hang Bac Street, Paul Bert (Trang Tien) to the Chinese quarter in Saigon. From the residents of the Red River Delta, folk singers, monks, to guards, officials, and even King Duy Tan. From pristine landscapes to forts and palaces – everything embodies the soul of Vietnam at that time, a simple and serene beauty.
The beauty of Indochina is often associated with the harmony between nature and humans, with natural beauty such as magnificent beaches, lush forests, as well as rich historical and cultural landmarks. Pierre’s paintings stand out with their play of light and color, along with a deeply Indochinese architectural style. He cleverly used natural light to create special effects in his photos, such as sunlight filtering through leaves or the light of dawn and dusk. Dieulefils’ art is how he tells the story of the culture and traditions of Indochina. He has the ability to create wonderful photos of architectural structures, such as forts or ancient temples, showcasing the diversity and style of architecture in the region. At the same time, he also pays attention to natural landscapes, such as beaches, grassy fields, and mountains, to create interesting artworks depicting the terrain and diversity of Indochina.
